negative form

negative form

 

This relatively large scale piece was made on several pieces of packaging card that were joined with tape. The edges were deliberately ripped to fit with the worn and weather beaten feel I was trying to project around this time. The elongated ‘H’ like structure of the piece is influenced by the bold brushwork of Franz Kline and by decaying machinery of Belfast’s industrial past. Figures can be discerned in the ambiguous black shapes in the central band.

16 replies to “negative form

  1. I really like this. It looks like ancient stonework of the entrance gates to an abandoned city. The painting is inviting me to walk towards the whiter “wall” at the centre back.

  2. I like how you have brought the reference to the shipyards, I think, into this, at least it reminds me of the Harland and Wolff crane thingy. Very powerful composition – it feels monumental.

    1. Thank you very much Nicholas, I’m glad this reminds you of those famous cranes. I think they are a definite subconscious influence on my work, something I pass by most days.

  3. Weather beaten feel has a quality it of being done by workers of a by gone industrial era, and then left behind in a now silent place, where machines have rusted, jammed in their disused state. In a way it reminds me a little of packing case art done by industrial workers, with the markings, cracks, and grooves. Top work..

    1. Thanks very much Sean, that’s a very poetic and imaginative description. I think my own consciousness of Belfast’s once thriving now decaying industrial past seeps into my work.

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