Archives for posts with tag: Belfast

In August I collaborated with Platform Arts, Urban Scale Interventions and Connswater shopping centre to co-facilitate a large-scale community drawing workshop on the roof of the centre’s multi-storey car park with the theme ‘every grain of sand’ referencing how each individual person is unique and has a valuable contribution to make. The drawing was part of ‘Rooftop Summer Recess,’ part of the Eastside Arts Festival 2021 in Belfast.

There was a great response from participants of all ages who used the cardboard stencils of shells and abstract shapes I had made as a starting point or added their own imaginative contributions. The experience makes me want to do more community art, feels that it was successful in encouraging people from diverse backgrounds to join in.

Co-facilitator Meadhbh McIlgorm (left) from Platform and participants adding to the drawing.
Local artist
Many chalks were used over the weekend
Drawing in progress
Nearing completion

Platform enlisted the talents of photographer Simon Mills to document the exhibition. Here are a selection of his excellent images. In my experience good documentation is always important, this sense was heightened for ‘Rule Driven’ because Covid restrictions meant the public were not permitted to enter the gallery space, only catch fleeting glimpses from Connswater shopping mall windows.

drawing in process
drawings, drum kit, sculpture and projected video
Me at work
A still from iterations of a shape video
Drawing near completion
drawing detail

John Macormac is a recipient of a Support for the Individual Artist Programme award from the Arts Council of Northern Ireland

It was a real privilege to spend several dedicated months experimenting with the possibilities of Tilt Brush software earlier this year using an Oculus Quest 2 Virtual Reality Headset. This was in the lead up to “Project VR,” part of this year’s excellent Belfast Photo Festival.

The project culminated in a night of performance where I and the other two participating artists, John Robinson and Jane Rainey performed rehearsed Tilt Brush works, accompanied by the excellent Arco String Quartet. The feed from our headsets was projected live in the beautiful surroundings of Riddell’s Warehouse in Belfast. Thanks are due to the vast team of talented individuals who made the event possible.

Excellent photos by Michael Weir, CEO of the Photo Festival.

The incredible video of all 3 performances is available here: https://youtu.be/va6KxjS6slI

Shown as part of Rule Driven at Platform Arts, this video piece comprises photographs of a shape as it repeats in rows, one shape at a time. The audio component comprises layered percussive sounds and field recordings that include radio static and a washing machine fed through multiple effects. As new layers are added new sounds can be heard. When the drawing reaches the fullest point the process reverses until the wall is left blank once more.

The ordered repetition makes visible the process of drawing that follows a set of pre-determined rules, a framework for operation.

John Macormac is a recipient of a Support for the Individual Artist Programme award from the Arts Council of Northern Ireland.

In September last year I was asked to create a wall drawing in the Vault Artist Studios members room. I drew this piece, a Fibunacci sequence inspired, planet like layering of regular circles in chalk. The chalk had not been sprayed with fixative, over the weeks and months parts of the drawing had been smudged and worn away as people’s presence marked the passage of time. This became a slow visual metaphor for the studio members’ transient presence in this former technical college.

Vault hosted an excellent Fringe festival on the first and second of June this year, comprising over 100 events and projects happening in the building and the car park. In preparation for this, the exterior of the building and the members room underwent a vibrant redecoration. The first drawing was covered up.

I drew a new site specific piece in a different part of the room using wax crayon:

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The deep indigo background marks a break with monochrome. This drawing plays with imperfect symmetrical forms, incorporating influences from many sources including early arcade game vector graphics, sacred geometry and heavy metal logo typography.

Detail:

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Here in the finished room, the drawing is surprisingly augmented with a rack holding pool cues.

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200 x 140 cm

Pen on Card

 

shapeofarttocome

Double E sculpture with analogue metronome

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I presented this painted black gloss shape on black matte wall at a recent studio critique. It was accompanied by this sound piece, played through a powerful stereo:

It was sufficiently loud that it caused objects within the room to vibrate.

The group discussion read the combination of sound and visuals as being oppressive and ominous, combining to create an atmosphere suggestive of religious cult rituals or sinister political gatherings.

It was felt that the work presented in this crit represents a departure from previous work. The black gloss symbol has nothing of the organic, gentle feel of the pencil drawings. It is extremely assertive and dogmatic; very oppositional and uncompromising in every way, to the point of feeling threatening. It suggests none of the time based creative process of the pencil drawing.

I am gradually assessing where I go from here. The shape is just an arrangement of painted lines, although I can understand why it was interpreted in these ways. I do feel that playing with sound and visuals with a certain charge and potency has potential, though I want to find ways to puncture the pomposity these signifiers carry, to promote recognition of their ultimate absurdity.

Spiral From 2

A recreation of an earlier work using black chalk on a white wall at Framewerk gallery in Belfast. This drawing was the basis of a ten minute sound piece exploring order and chaos which Ben Behzadafshar and I performed in the gallery. He played guitar and I drummed. It was part of the month long BASS sound art season in the gallery in June of this year.

The drawing obeyed the same governing rules as the original but the results are subtly different.

Spiral From 2 close

I’m back in my space in Cathedral Studios and I’ve been trying to maintain some kind of creative momentum over the Summer holidays from Art School. Here is one wall drawing at 3 stages of development:

summer drawing 1

summertime drawing 2

summer drawing 3

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