Repetition is an important aspect of my practice, both in drawings and in drumming.
I’ve been playing with digital variations on the ‘charged’ shape from the last post, I’m working towards a gallery installation early next month that will be painted directly on to the walls. The installation will involve repetition and variation of the colour of the shape.
These digital renderings are extremely crude, but provide a sound means of testing ideas.
One of the 3 wall drawings I currently have on display in the Orpheus Building, Belfast as part of the MFA show. I am honoured that the image was used in the exhibition flyer.
The show will continue this week at the following times:
Monday 8th June: 9am to 5pm
Tuesday 9th June: 9am to 5pm
Wednesday 10th June: 9am to 5pm
Thursday 11th June: 9am to 5pm
Friday 12th June: 9am to 5pm
Saturday 13th June: 10am to 5pm ( show closes)
These 3 pieces were chosen and framed by Engine Room gallery curator Cliff Brooks. They started life as part of a larger piece that didn’t work, and I subsequently cut up. I am always amazed when a large overworked piece can be cut down and arranged to good effect in this way. The lines and shapes can suggest heavy industry.
I suppose this is a sister piece to Reconnaissance (https://johnmacormacart.wordpress.com/2012/08/02/reconnaissance/).
It was made shortly afterwards and exhibits a similar structure with the large city like shape in the top left connected to its satellites via delicate vein like lines. I have often worked like this, loosely copying pieces that I consider to be moderately interesting and formally balanced. The ‘copied’ piece rarely resembles the original in detail.
The snaking quote, referring to “the problem of making people love their servitude” is from Aldous Huxley.