Archives for posts with tag: studio space

nest

Further wall drawing, further following of rules.

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Documentation of piece in progress on the walls of my studio space in the Orpheus building in the Belfast school of art. The building is to be demolished in June.

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I set myself the parameters of only using black conte crayon to trace, and pencil to transfer marks. Traced marks were only to be from sources present in the MFA studio environment, such as cracks in the floor and plasterwork and stains from spilt paint. The majority of marks come from traced knots in plywood boards. I like their shapes, and on a deeper level am intrigued by how they mark the passage of time and growth of the trees that were used to make the wood.

The tracings are transferred to the wall several times, the marks become fainter each time. Sometimes the pieces of tracing paper are loaded with crayon again to achieve a darker line. It is a fragile and delicate material to use, it often rips when a sharp point of a pencil passes across it.

I’ve been working directly on to the walls of my studio space in Cathedral Studios. It has been a liberating and exciting process. I’ve continued the marks on to the floor and the ceiling, which encourages the viewer to feel that they are ‘in’ the work; to relate to the scale of the work with the size of their own body. The work has gradually grown over the past few weeks. Part of the feeling of freedom comes from the awareness that the piece can only be transitory. Ultimately it will be painted over, only to exist in photographs and memory.

This makes documentation especially important, though it is wholly inadequate in terms of experiencing the work. I have often thought this when looking at installation or performance art. Immediacy, sensory stimulation and interaction cannot be translated into a two dimensional image or video.

Walls:

wall piece 1

wall piece 2

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Ceiling

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Floor

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