Ben Behzadafshar and I recently collaborated on a series of performative works for the Vault Artist Studios Fringe Festival.
This is the trailer we used to publicise the event:
We wrote a statement that was placed prominently in the room to prepare audience members for what they would see and hear:
“This is not a conventional set of songs, it is a sonic expedition to the unknown.
Performances will consist of structured, improvisational recorded and played sounds created and manipulated by Ben Behzadafshar and John Macormac. These follow a pre-determined ‘recipe score’ that sets out parameters for what is played. This score is sufficiently loose that it may be interpreted in innumerable ways.
Behzadafshar will generate a wide variety of sounds using an array of effects pedals and an amplifier, alongside a guitar, a metal shelf and a wooden top desk. The guitar is prepared by tying it with cloth, it will act as a sound source, interrupting the instrument’s conventional role as a melodic device.
Macormac will create and record live sounds made from nails and a metal saucepan lid, hand percussion and an acoustic drum kit struck with sticks and beaters. These sounds will be layered and repeated using a loop station. The recorded layers will be played and manipulated through an amplifier and responded to with the drum kit.
Throughout each performance, John and Ben will intuitively react to what each other are playing, drawing upon their long creative relationship as members of experimental jazz punk party band Blue Whale.”
John Macormac 