Archives for category: chalk

The photograph below shows two recent wall drawings, created in the weeks leading up to culture night Belfast on the 18th of September. A dark blue bass drum has been placed in front of them.

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Drawing I

triangle drawing

Drawing II

circle drawing

I also made a sound performance piece with Michael O’Halloran that evening, he using guitar and a loop station, and I playing bass drum, hi-hat and snare drum. The rules that governed this were as follows:

‘Loop station Performance’

  • The guitar will be playing within a loop that will repeat after a predetermined amount of time.
  • The tempo and the key will be fixed, and notes will be improvised within a recurring pattern.
  • The pattern will be manipulated with digital effects, but always manipulated as a whole.
  • The drums will follow the pattern established by the guitar.
  • The performance will last ten minutes.

The performance was intended to augment/activate the drawings in a thoughtful way. Just as they were produced by a process of repetition and layering of individual component shapes, the idea was to layer and repeat notes to eventually achieve a complex build up of sound.

 

2 drawings and drum

After culture night I decided to leave the bass drum in front of the drawings. The drum’s form is sculptural, the circular shape echoes the shape of the drawing. It is a resonant object both sonically and symbolically.

Spiral From 2

A recreation of an earlier work using black chalk on a white wall at Framewerk gallery in Belfast. This drawing was the basis of a ten minute sound piece exploring order and chaos which Ben Behzadafshar and I performed in the gallery. He played guitar and I drummed. It was part of the month long BASS sound art season in the gallery in June of this year.

The drawing obeyed the same governing rules as the original but the results are subtly different.

Spiral From 2 close

I’m back in my space in Cathedral Studios and I’ve been trying to maintain some kind of creative momentum over the Summer holidays from Art School. Here is one wall drawing at 3 stages of development:

summer drawing 1

summertime drawing 2

summer drawing 3

Here are some photographs of the three drawings I created for the end of year exhibition at the Belfast School of Art. I realised I need to include more ones of the room to achieve a sense of scale.

install shot install 2install3 install 4

Iris

One of the 3 wall drawings I currently have on display in the Orpheus Building, Belfast as part of the MFA show. I am honoured that the image was used in the exhibition flyer.

mfa-2015-ad-thin1

The show will continue this week at the following times:

Monday 8th June: 9am to 5pm
Tuesday 9th June: 9am to 5pm
Wednesday 10th June: 9am to 5pm
Thursday 11th June: 9am to 5pm
Friday 12th June: 9am to 5pm
Saturday 13th June: 10am to 5pm ( show closes)

circle 24 3

Wall drawing is becoming more focussed and minimal, though I hesitate to use that word. Something is activated when multiple layers of chalk are built up, the form appears more solid and sculptural.

d r a w i n g

The plug socket is included to give a sense of scale.

finished

1stblob

I cut out the traced blob indentation shape that keeps recurring in this work and projected it using this antiquated overhead projector; the reliable, clunky type I remember from school.

5blob

I moved the projector across the floor. The shadow shape was repeated at intervals across the wall five times.

layer blob

The projector was moved progressively closer to the wall, and the resultant shadows drawn around. This made these concentric blob shapes.

bloblayered

I continued to work using this process at at intervals until the day of our group critique, the predetermined finish point.

blobangle

The piece was accompanied by a fifty second tape recording I made by digitally slowing a ten second recording of me playing bass drum and hi-hat down. I shifted the pitch down and added a series of effects using a program called Wavepad sound editor. I chose analogue audio tape because of its warm hiss, it’s imperfection. The piece was interpreted as the sound of marching boots, or of an industrial process involving heavy machinery.

Fellow students and teaching staff thought that the sound and the drawing seemed to coalesce to a greater extent than before.

Our mid year show opened on Thursday night at the Belfast School of Art. Thanks are due to to all who attended. The area I share with the other part time MFA students looked like this

mys

I’ve added a black band to the top and bottom of the main wall piece. I like it as a frame, but I’m aware the lines aren’t completely straight- I spent a couple of hours on Thursday trying, and failing, to get this right, it is probably time to invest in a spirit level. Fellow student Damien Magee has been painting the pipework in the space different colours since September. I like that some of the pipes are now interacting with my drawing, establishing a conversation.

I brought my drum kit in and performed some improvisation with my friend Michael O’Halloran playing guitar. He used a loopstation to repeat ideas, and then layered dischordant notes. Heartfelt thanks are due to him.

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I think our course director took the above picture. I also included a small projection of a video I have made of my working on the wall from the early, tentative stages. It has been deliberately projected low down and at a small size, separate from the work. The idea is to have several pieces of stimuli that can openly question the relationship between the rhythms people have percieved in the drawings and the act of making, as well as the time based rhythms created by the guitar and drums. The noise we made reverberated around the space. I think Damian took some video of us playing, I will hopefully be able to upload some of this in future posts.

The show is open to public

11am-3pm on Monday 19th January

Tuesday 20th: closed

Wednesday 21st: 11am-3pm

Thursday 22nd 11am-3pm

I will be performing noise improvisations with special guests  at the following times, all are welcome to attend these.

Tuesday 20th 10am

Wednesday 21st 11am

Thursday 22nd 12noon

The hope is that musical improvisation can stimulate further wall improvisation. I will not seek to create finished work, only to push further what already exists.

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I talked about a need for new approaches to the ongoing wall piece in my last post. Since then I have been conducting experiments with new forms:

new forms

Responding to criticism, I have chosen an indentation in the studio to trace and repeat in the above rhomboid form. Care was taken to ensure the chosen mark’s shape could not be easily read as animal like, or to evoke many associations beyond it’s own pure form.

shape of itself

I am preparing for our MFA mid term show this Thursday night in the art college. Rather than try to seek a resolution, where the whole wall coheres as a piece, I have decided to heed one of my tutors advice and set up an experimental drawing ‘lab’ for the duration of the show. This will free me up, the idea of having to produce a ‘resolved’ piece fills me with anxiety. In my experience anxiety is a perrenial enemy of creativity.

One possible idea would be to use black as a framing device, perhaps with the repeated blob shape, as in this hastily mocked up photoshop picture:

mock

This would heighten the impact of the central band of marks. Another idea for potential development is sanding the wall. I like the looking through tracing paper effect of this, as seen in this small section:

sandy

The piece will continue to evolve in the coming days, over the duration of the show. I will be performing in a time based work. I’ll update this blog with what happens.

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